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1. Radiohead Kid A Lyrics
2. Radiohead Kid A Review
3. Radiohead Albums In Order

A Moon Shaped Pool is the ninth studio album by the English rock band Radiohead, produced by Nigel Godrich. It was released as a download on 8 May 2016, backed. The National Anthem. [DD] Discografia Radiohead 320 kbps [MEGA].

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Radiohead Kid A Lyrics

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Radiohead Albums In Order

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Radiohead Kid A lyrics

I slipped away
I slipped on a little white lie
We've got heads on sticks
You've got ventriloquists
We've got heads on sticks
You've got ventriloquists
Standing in the shadows at the end of my bed
Standing in the shadows at the end of my bed
Standing in the shadows at the end of my bed
Standing in the shadows at the end of my bed
Rats and children follow me out of town
Rats and children follow me out of their homes
C'mon Kids

Amnesiac is the fifth studio album by the English rock band Radiohead, released in June 2001 by Parlophone. Recorded with producer Nigel Godrich during the same sessions as Radiohead's previous album Kid A (2000), Amnesiac incorporates similar influences of electronic music, 20th-century classical music, jazz and krautrock. Only one track was recorded after Kid A: 'Life in a Glasshouse', a collaboration with the Humphrey Lyttelton Band.

After having released no singles from Kid A, Radiohead released three from Amnesiac, accompanied by music videos: 'Pyramid Song', 'Knives Out' and the radio-only single 'I Might Be Wrong'. Amnesiac debuted at number one on the UK Albums Chart and number two on the US Billboard 200. By October 2008, it had sold over 900,000 copies worldwide.

Though it disappointed some hoping for a return to Radiohead's earlier rock sound, Amnesiac was named one of the best albums of 2001 by numerous publications. It was nominated for the Mercury Prize and several Grammy Awards, winning for Best Recording Package for the special edition. 'Pyramid Song' was ranked one of the best tracks of the decade by Rolling Stone, the NME and Pitchfork. In 2012, Rolling Stone ranked Amnesiac number 320 in their updated version of The 500 Greatest Albums of All Time.

• 5Reception

Recording[edit]

Radiohead and producer Nigel Godrich recorded Amnesiac during the same sessions as its predecessor, Kid A, released in October 2000.^[1] The sessions took place from January 1999 to mid-2000 in Paris, Copenhagen, and in Radiohead's Oxfordshire studio.^[2][3] Radiohead incorporated influences from electronic music, 20th-century classical music, jazz and krautrock, using synthesisers, ondes Martenot, drum machines, strings and brass.^[1] Strings, arranged by guitarist Jonny Greenwood, were performed by the Orchestra of St John's and recorded in Dorchester Abbey, a 12th-century church close to Radiohead's studio.^[4][5] Drummer Philip Selway said the sessions had 'two frames of mind .. a tension between our old approach of all being in a room playing together and the other extreme of manufacturing music in the studio. I think Amnesiac comes out stronger in the band-arrangement way.'^[5]

The sessions produced more than 20 finished tracks. Radiohead considered releasing them a double album, but felt the material was too dense.^[6] Singer Thom Yorke said Radiohead split the work into two albums because 'they cancel each other out as overall finished things. They come from two different places, I think .. In some weird way I think Amnesiac gives another take on Kid A, a form of explanation.'^[7] The band stressed that they saw Amnesiac not as a collection of B-sides or 'leftovers' from Kid A but an album in its own right.^[8]

Only one track, 'Life in a Glasshouse', was recorded after Kid A was released. In late 2000, Greenwood wrote to jazz trumpeter Humphrey Lyttelton to ask the Humphrey Lyttelton Band to play on the song, explaining that Radiohead were 'a bit stuck'.^[9] Greenwood told Mojo: 'We realised that we couldn't play jazz. You know, we've always been a band of great ambition with limited playing abilities.'^[10] Lyttelton agreed to help after his daughter showed him Radiohead's 1997 album OK Computer.^[9]

Music and lyrics[edit]

—Songwriter Thom Yorke^[11]

Amnesiac incorporates experimental rock,^[12]electronica,^[13] and alternative rock.^[14] Bassist Colin Greenwood said it had 'more traditional Radiohead-type songs together with more experimental, non-lyrical based instrumental-type stuff as well'.^[15] 'Packt Like Sardines in a Crushd Tin Box' is an electronic song built from compressedloops,^[16] with vocals manipulated with the pitch-correcting software Auto-Tune to create a 'nasal, depersonalised sound'.^[1]Lexicon pcm native reverb crackers.

'Pyramid Song' was inspired by the Charles Mingus song 'Freedom',^[17] with lyrics inspired by an exhibition of ancient Egyptian underworld art Yorke attended while the band was recording in Copenhagen^[8] and ideas of cyclical time discussed by Stephen Hawking and Buddhism.^[8]Selway said the song 'ran counter to what had come before in Radiohead in lots of ways .. The constituent parts are all quite simple, but I think the way that they then blend gives real depth to the song.'^[18]

'Pulk/Pull Revolving Doors', an electronic track, was built on a Roland MC-505groovebox.^[16] It incorporates loops recorded in the OK Computer sessions,^[16] including elements of a version of 'True Love Waits',^[19] a song Radiohead did not complete until their ninth album, A Moon Shaped Pool (2016).^[20] The band disabled the erase heads on the tape recorders so that the tape repeatedly recorded over itself, creating a 'ghostly' loop.^[16] They used Auto-Tune to process Yorke's speech into melody; according to Yorke, the software 'desperately tries to search for the music in your speech, and produces notes at random. If you've assigned it a key, you've got music.'^[1]

Yorke said 'You and Whose Army?' was 'about someone who is elected into power by people and who then blatantly betrays them – just like Blair did'.^[17] Attempting to capture the 'soft, warm, proto-doowop sound' of the 1940s harmony group the Ink Spots, Radiohead muffled microphones with eggboxes and used the ondes Martenot's resonating palme diffuseur loudspeaker to treat the vocals.^[1]

'I Might Be Wrong' combines a 'venomous' guitar riff with a 'trance-like metallic beat'. Colin Greenwood's bassline was inspired by Chic bassist Bernard Edwards.^[17] The lyric 'never look back' came from advice given to Yorke by his partner, Rachel Owen: 'Be proud of what you've done. Don't look back and just carry on like nothing's happened. Just let the bad stuff go.'^[17] According to a studio diary kept by guitarist Ed O'Brien, 'Knives Out' took 373 days to record, 'a ridiculously long gestation period for any song.'^[2] It was influenced by the guitar work of Johnny Marr of the Smiths.^[21]

'Morning Bell/Amnesiac' is an alternative version of 'Morning Bell' from Kid A. O'Brien said that Radiohead often record and abandon different versions of songs, but that this version was 'strong enough to bear hearing again'.^[22] On Radiohead's website, Yorke wrote that 'Morning Bell/Amnesiac' was included on Amnesiac 'because it came from such a different place from the other version. Because we only found it again by accident after having forgotten about it. Because it sounds like a recurring dream. It felt right.'^[23]

'Dollars and Cents' was edited down from an eleven-minute jam, using an editing approach inspired by krautrock band Can.^[1] Colin Greenwood played a record by jazz musician Alice Coltrane over the recording, inspiring his brother Jonny to write a 'Coltrane-style' string arrangement.^[16] Yorke said the lyrics were 'gibberish', but inspired by the notion that 'people are basically just pixels on a screen, unknowingly serving this higher power which is manipulative and destructive'.^[17]

'Hunting Bears' is a short instrumental on electric guitar and synthesiser.^[24] 'Like Spinning Plates' was constructed from components of another song, 'I Will', which Radiohead had tried to record in the same sessions. Unsatisfied with the results, which Yorke described as 'dodgy Kraftwerk',^[25] the band reversed the recording and used it to create a new track. Yorke said: 'We'd turned the tape around, and I was in another room, heard the vocal melody coming backwards, and thought, 'That's miles better than the right way round', then spent the rest of the night trying to learn the melody.'^[1] Yorke sang the lyrics backwards; this recording was in turn reversed, creating vocals with lyrics that sound reversed.^[16] 'I Will' was released in a new arrangement on Radiohead's subsequent album Hail to the Thief (2003).^[26]

'Life in a Glasshouse' features jazz band the Humphrey Lyttelton Band. After listening to a demo of the song, trumpeter and bandleader Humphrey Lyttelton suggested arranging it in a New Orleans jazz funeral style.^[27] He described the song as starting 'with me doing a sort of ad-libbed, bluesy, minor-key meandering, then it gradually gets so that we're sort of playing real wild, primitive, New Orleans blues stuff'. According to Lyttelton, Radiohead 'didn't want it to sound like a slick studio production but a slightly exploratory thing of people playing as if they didn't have it all planned out in advance'.^[9] The lyrics were inspired by a news story Yorke read of a celebrity's wife so harassed by paparazzi that she papered her house windows with their photographs.^[17]

Artwork and packaging[edit]

Amnesiac's cover art was created by Yorke and longtime Radiohead collaborator Stanley Donwood.^[28] It depicts a weeping minotaur of Greek mythology on the cover of a book.^[29] Donwood said the artwork was inspired by 'taking the train to London, getting lost and taking notes'. Likening London to the mythological labyrinth, he saw the city as 'an imaginary prison, a place where you can walk around and you are the Minotaur of London, we are all the monsters, we are all half-human, half-beast'.^[29]

Donwood also designed a special edition package with a hardback CD case in the style of a mislaid library book. He imagined that 'someone made these pages in a book and it went into drawer in a desk and was forgotten about in the attic .. And visually and musically the album is about finding the book and opening the pages.'^[29] The special edition won a Grammy Award for Best Recording Package at the 44th Grammy Awards.^[30]

Promotion and release[edit]

Radiohead announced Amnesiac on their website in January 2001, three months after the release of Kid A.^[31] It was released on 5 June 2001 by Parlophone in the United Kingdom and a day later by Capitol Records in the United States.^{[citation needed][31]}

After having released no singles from Kid A,^[5] Radiohead released three from Amnesiac: 'Pyramid Song' in May,^[32] followed by 'I Might Be Wrong' (radio only) in June^[33] and 'Knives Out' in July,^[34] backed by music videos.^[5] In June 2001, Radiohead began the Amnesiac tour, incorporating their first North American tour in three years.^[35] Recordings from both the Kid A and Amnesiac tours are included on the EP I Might Be Wrong: Live Recordings, released in November 2001.^[24]

Amnesiac debuted at number two on the US Billboard 200 with sales of 231,000, surpassing Radiohead's 207,000 first-week sales of Kid A.^[36] It was certified gold by the Recording Industry Association of Japan for shipments of 100,000 copies across Japan.^[37] By October 2008, it had sold over 900,000 copies worldwide.^[38]

Reception[edit]

After Radiohead's previous album, Kid A, had divided listeners, many hoped for a return to their earlier rock sound for Amnesiac.^[50][45]Pitchfork wrote that many wanted another album similar to Radiohead's 1995 album The Bends.^[51] The Guardian titled its review 'Relax: it's nothing like Kid A'.^[50] However, Rolling Stone saw it as a further distancing from Radiohead's earlier, 'Britpop-like' style,^[47] and Pitchfork found that 'Amnesiac is about as close to The Bends as Miss Cleo is to Jamaican'.^[45]Stylus critic Mike Powell wrote that although Amnesiac was 'slightly more straightforward' than Kid A, it 'solidified the postmillennial model of Radiohead: less songs and more atmosphere, more eclectic and electronic, more paranoid, more threatening, more sublime'.^[52]

Robert Hilburn of the Los Angeles Times felt that Amnesiac, compared to Kid A, was 'a richer, more engaging record, its austerity and troubled vision enriched by a rousing of the human spirit'.^[43]Guardian critic Alex Petridis, who had disliked Kid A, felt Amnesiac was superior, writing that it 'strikes a cunning and rewarding balance between experimentation and quality control. It's hardly easy to digest but nor is it impossible to swallow.'^[50] He criticised the electronic tracks 'Pulk/Pull Revolving Doors' and 'Like Spinning Plates' as self-indulgent, but felt they were 'overshadowed by haunting musical shifts and unconventional melodies'.^[50] The Guardian named Amnesiac 'CD of the week'.^[50]

Several critics felt Amnesiac was less cohesive than Kid A. AllMusic critic Stephen Thomas Erlewine felt that 'Amnesiac often plays as a hodgepodge', and that the two albums 'clearly derive from the same source and have the same flaws .. the division only makes the two records seem unfocused, even if the best of both records is quite stunning'.^[40]Pitchfork wrote that 'the questionable sequencing of Amnesiac does little to hush the argument that the record is merely a thinly veiled B-sides compilation', though its 'highlights were undeniably worth the wait, and easily overcome its occasional patchiness'.^[45]Stylus critic Powell wrote that 'it stands as an excellent disc', but was not as 'exploratory or interesting' as Kid A.^[52]

Accolades[edit]

Several publications named Amnesiac one of the best albums of 2001, including Q,^[53]The Wire,^[54]Rolling Stone,^[55]Kludge,^[56] the Village Voice, Pazz and Jop,^[57] the Los Angeles Times, and Alternative Press.^[58] In 2005, Stylus named it the best album of the decade that far.^[52] In 2009, Pitchfork ranked Amnesiac the 34th best album of the 2000s^[59] and Rolling Stone ranked it the 25th.^[60] It is included in the 2005 book 1001 Albums You Must Hear Before You Die,^[61] and in 2012, Rolling Stone included it at number 320 in its updated list of The 500 Greatest Albums of All Time.^[62]

Amnesiac was nominated for the 2001 Mercury Music Prize, losing to PJ Harvey's Stories from the City, Stories from the Sea, for which Yorke provided guest vocals.^[63] It was the fourth consecutive Radiohead album nominated for a Grammy Award for Best Alternative Music Album,^[64] and the special edition won a Grammy Award for Best Recording Package in the 44thGrammy Awards.^[30] 'Pyramid Song' was ranked one of the best tracks of the decade by Rolling Stone,^[65] the NME^[66] and Pitchfork.^[67]

Reissues[edit]

After a period of being out of print on vinyl, EMI reissued a double LP of Amnesiac on 19 August 2008 along with Kid A, Hail to the Thief and OK Computer as part of the 'From the Capitol Vaults' series.^[68]

On 31 August 2009, EMI reissued Amnesiac in a two-CD 'Collector's Edition' and a 'Special Collector's Edition' containing an additional DVD. The first CD contains the original studio album; the second CD collects B-sides from Amnesiac singles and live performances; the DVD contains music videos and a live television performance. Radiohead, who left EMI in 2007,^[69] had no input into the reissue and the music was not remastered.^[70] In Pitchfork's review of the reissue, Scott Plagenhoef wrote: 'More than Kid A – and maybe more than any other LP of its time – Amnesiac is the kickoff of a messy, rewarding era .. disconnected, self-aware, tense, eclectic, head-turning – an overload of good ideas inhibited by rules, restrictions, and conventional wisdom.'^[71]

The 'Collector's Editions' were discontinued after Radiohead's back catalogue was transferred to XL Recordings in 2016.^[72] In May 2016, XL reissued Radiohead's back catalogue on vinyl, including Amnesiac.^[73]

Track listing[edit]

All tracks written by Radiohead (Colin Greenwood, Jonny Greenwood, Ed O'Brien, Philip Selway, Thom Yorke). Down style dangdut psr 2100.

Notes

1. ^Titled 'Pull/Pulk Revolving Doors' on 'Collector's Edition' release.

Personnel[edit]

Adapted from the Amnesiac liner notes.^[74]

Chart positions[edit]

Certifications[edit]

References[edit]

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91. ^DeSantis, Nick (10 May 2016). 'Radiohead's Digital Album Sales, Visualized'. Forbes. Retrieved 29 August 2018.
92. ^'American album certifications – Radiohead – Amnesiac'. Recording Industry Association of America.If necessary, click Advanced, then click Format, then select Album, then click SEARCH.
93. ^'Certified Awards Search'(To access, enter the search parameter 'Radiohead'). British Phonographic Industry. Archived from the original on 11 January 2013. Retrieved 4 July 2011.

External links[edit]

• Ed's Diary: Ed O'Brien's studio diary from Kid A / Amnesiac recording sessions, 1999–2000 (archived at Green Plastic)