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1. Richard Swift The Novelist Review
2. Richard Swift The Novelist
3. Richard Swift The Novelist Rar

Richard Swift, producer, multi-instrumentalist, and singer-songwriter, died Tuesday morning in Tacoma, Washington. He was 41 years old.

Beginning with an arc of distant, echo-laden strings and a chorus of voices that sound as if they escaped from the buried and decaying reels of an aborted Disney film, Richard Swift's Secretly Canadian debut paints a world out of time from the very first note.

The news was confirmed on his Facebook account, which posted an image of Swift along with the following message: “And all the angels sing ‘Que Sera Sera’. Richard Ochoa Swift. March 16, 1977 – July 3, 2018.”

His untimely passing comes only a month after Swift had been hospitalized from an undisclosed “life-threatening condition,” which prompted him to create a GoFundMe account for his medical bills.

Update – July 9th: According to a statement from his family, Swift “suffered from alcohol addiction, and it’s ultimately what took his life.” The statement adds, “With the support of family and friends and the assistance of MusiCares, Richard had checked himself into rehab for multiple stays over the past two years, but his body gave out before he could overcome the disease. He was diagnosed with hepatitis and liver and kidney distress in June. Multiple hospitals worked to help stabilize him over the course of that month, but his body was unable to heal and, per his wishes and with his family’s consent, he was moved to hospice care.”

Born in California and raised across the rural confines of Northern Minnesota and Southeastern Utah, Swift returned to his birthplace in the early aughts, where he made a name for himself at Huntington Beach’s Green Room recording studio.

Richard Swift The Novelist Review

During his off hours, he carved out his own solo records — Walking Without Effort and The Novelist — which he would self-release to limited copies before signing with Secretly Canadian to re-release both as The Richard Swift Collection Vol. 1 in 2005.

However, it was 2007’s Dressed Up for the Letdown that really turned the right heads, particularly Wilco’s Jeff Tweedy, who invited Swift to not only tour with the band but record at their own Chicago studio, The Loft.

From there, he continued to release his own solo efforts via Secretly Canadian, while also beginning to produce other artists, specifically The Mynabirds, Damien Jurado, and Laetitia Sadier for the label.

Eventually, Swift would go on to found his own recording studio, National Freedom, in Cottage Grove, Oregon, overseeing records by Foxygen, Sharon Van Etten, Guster, Pure Bathing Culture, and many others.

Outside of his solo career, Swift played in a number of bands, including The Shins, The Black Keys, and The Arcs. In the wake of today’s news, his friend and collaborator in The Black Keys and The Arcs, Dan Auerbach, paid homage to him this morning via Instagram:

Richard Swift The Novelist

A post shared by Easy Eye Sound (@easyeyesound) on

Revisit a selection of music from Swift’s career:

Richard Swift The Novelist Rar

Beginning with an arc of distant, echo-laden strings and a chorus of voices that sound as if they escaped from the buried and decaying reels of an aborted Disney film, Richard Swift's Secretly Canadian debut paints a world out of time from the very first note. The West Coast singer/songwriter has no qualms about resurrecting Franks Wild Years-era Tom Waits and filtering it through the 'new weird America' sound of fellow crooners Andrew Bird and Devendra Banhart, but he manages to find the perfect balance between melody and texture. It's a lot like opening the doors to a packed speakeasy in the '30s, complete with choreographed dancing and well-coiffed but shady characters shaking hands in the corners. Swift's lo-fi, Tin Pan Alley dreamscapes are as lush as they are distant, relying on everything from barroom piano to programmed drums without ever seeming contemporary. Comprised of two records, 2001's Walking Without Effort and 2004's The Novelist, Swift has taken all of the best sepia-tone instrumental moments from Michael Penn and tenderized them into a hobo dinner with Ray Davies slinging the slop. Listeners will find themselves enchanted, disturbed, and speaking in metaphors for days.